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Bibliography Vilém Flusser

Bibliography / Bibliografie / Bibliografia Vilém Flusser. In: Flusseriana. An Intellectual Toolbox, English / German / Portuguese, Minneapolis 2015, edited by Siegfried Zielinski and Peter Weibel with Daniel Irrgang in collaboration with Monaí de Paula Antunes and Norval Baitello, Jr., pp. 520-526

The select bibliography contains the most important sources used by the authors of this book.

  • “A Arte: O Belo e o Agradável,” in: Revista Arte-Filosofia, vol. 11, 2011, pp. 9–13.
  • Abbild – Vorbild, 1990, for the book project Was heißt darstellen?, Christiaan L. Hart Nibbrig (ed.), Suhrkamp, Frankfurt am Main, 1994, manuscript at the Vilém Flusser Archive (3033).
  • Abschied von der Realität [V.3], n.d., manuscript for Jörg Albrecht, ZEITmagazin, Hamburg, Vilém Flusser Archive (2364).
  • “A Casa da Cor,” lecture, August 10, 1988, São Paulo, audio (MC, part 1), Vilém Flusser Archive (Ka119-CASA-02).
  • “A Consumidora Consumida,” in: Comentário, vol. 13, no. 51, 3rd trimester, Instituto Brasileiro Judaico de Cultura e Divulgação, Rio de Janeiro, 1972, pp. 35–46.
  • “A Dúvida,” 1965, Vilém Flusser Archive (1910).
  • A Dúvida, Relume Dumará, Rio de Janeiro, 1999; Annablume, São Paulo, 2011.
  • A Escrita: Há Futuro para a Escrita?, transl. by Murilo Jardelino da Costa, edition Biblioteca Flusseriana, Annablume, São Paulo, 2010.
  • A História do Diabo, Editora Martins, São Paulo, 1965; Annablume, São Paulo, 2006; edition Biblioteca Flusseriana, Annablume, São Paulo, 2010.
  • “Alle Revolutionen sind technische Revolutionen,” Vilém Flusser in conversation with Florian Rötzer, in: KUNSTFORUM International, vol. 97, November/December 1988, pp. 120–134.
  • “Altweibersommer,” in: KultuRRevolution. Zeitschrift für angewandte Diskurstheorie, no. 26, 1991, pp. 3–4.
  • Angenommen. Eine Szenenfolge, Immatrix Publications, Göttingen, 1989; European Photography, Göttingen, 2000.
  • “Artíficio, Artefato, Artimanha I: O Homem enquanto Artifício,” n.d., lecture manuscript, Vilém Flusser Archive (1946).
  • “Artifício, Artefato, Artimanha II: A Vida enquanto Artefato,” n.d., lecture manuscript, Vilém Flusser Archive (1947).
  • “Artifício, Artefato, Artimanha III: A Artimanha da Vida Humana,” n.d., lecture manuscript, Vilém Flusser Archive (1948).
  • “Aspects and Prospects of Tsai’s Work,” in: Chen Kuei-Miao and Liu Dang-Ho (eds.) Cybernetic Art of Tsai Wen-Ying, exhib. cat., Taiwan Museum of Art,Taichung, 1990, pp. 87–94.
  • “Ästhetische Erziehung,” in: Wolfgang Zacharias (ed.), Schöne Aussichten? Ästhetische Bildung in einer technisch-medialen Welt, Klartext, Essen, 1991, pp. 121–127.
  • Até a Terceira e Quarta Geração, 1965, book manuscript, Vilém Flusser Archive (1 Ger – 1 & 2).
  • “Até a Terceira e Quarta Geração,” in: Cavalo Azul, no. 1, March 1965, pp. 43–69.
  • Auf der Suche nach Bedeutung (1969), transl. by Edith Flusser and Vera Schwamborn, European Photography, Göttingen, Berlin, available online at: www.equivalence.com, accessed 05/05/2015; originally published under the title “Ein philosophisches Selbstporträt,” in: Der neue Pester Lloyd, vol. 4, no. 11, March 1997, pp. 1, 10.
  • Aussprechen, n.d., essay manuscript, Vilém Flusser Archive (2369).
  • “Automation und künstlerische Kompetenz,” in: Klaus Peter Dencker (ed.), Interface 1. Elektronische Medien und künstlerische Kreativität, Hans-Bredow-Institut, Hamburg, 1992, pp. 152–160.
  • “Bilderstatus,” in: Christos M. Joachimides and Norman Rosenthal (eds.), Metropolis. Internationale Kunstausstellung Berlin 1991, exhib. cat., Martin-Gropius-Bau, Berlin, Cantz, Stuttgart, 1991, pp. 48–53.
  • Bodenlos. Eine philosophische Autobiographie, Bollmann, Bensheim, Düsseldorf, 1992; Fischer, Frankfurt am Main, 1999.
  • Bodenlos: Uma Autobiografia Filosófica, Annablume, São Paulo, 2007; edition Biblioteca Flusseriana, Annablume, São Paulo, 2010.
  • “Bottles,” in: Main Currents in Modern Thought, vol. 28, no. 4, March/April 1972, pp. 111–114.
  • “Brasilianische Philosophie,” in: Carlos Fouquet and Rudolf Lanz (eds.), Staden Jahrbuch. Beiträge zur Brasilkunde und zum brasilianisch-deutschen Kultur- und Wirtschaftsaustausch, vol. 18, Instituto Hans Staden, São Paulo, 1970, pp. 131–141.
  • “Brasilianische Städte,” in: Süddeutsche Zeitung, no. 241, October 10, 1966.
  • Brasilien oder die Suche nach dem neuen Menschen. Für eine Phänomenologie der Unterentwicklung, edited by Stefan Bollmann and Edith Flusser in collaboration with Klaus Sander, Bollmann, Bensheim, Düsseldorf, 1994.
  • Briefe an Alex Bloch, edited by Edith Flusser and Klaus Sander, European Photography, Göttingen, 2000.
  • Comunicologia: Reflexões sobre o Futuro, transl. by Tereza Maria Souza de Castro, edited by Silvia Wagnermaier and Siegfried Zielinski, Martins Fontes, Selo Martins, São Paulo, 2015.
  • Correspondence with / letters to:
    • Edmar de Almeida, Vilém Flusser Archive (Cor_30, part E).
    • Columbia University, August 27, 1951 (English Corresp., Document 83).
    • Albert J. Delmez, February 28, 1962, Vilém Flusser Archive (Corresp. 56, Document 45).
    • David Flusser, March 5, 1959, Vilém Flusser Archive (Corresp. 79, Document 89).
    • David Flusser, November 11, 1990, Vilém Flusser Archive (Cor_6_80_David: 29).
    • David Flusser, November 25, 1990, Vilém Flusser Archive (Cor_6_80_David: 164).
    • Fred Forest, August 7, 1972, Vilém Flusser Archive (SP Bienal 1, Document 83).
    • Karl Gerstner, January 29, 1989, Vilém Flusser Archive (Cor_81_6_Gerstn: 7).
    • Paulo Leminski, September 20, 1964, Vilém Flusser Archive (no reference number).
    • Daniel Meiller, March 31, 1976, Vilém Flusser Archive (Conference 1 French).
    • Abraham A. Moles, August 7, 1972, Vilém Flusser Archive (SP Bienal 1, Document 72).
    • Gerald O’Grady, Vilém Flusser Archive (Corresp. 55, Part 3, Document 1).
    • Miguel Reale, October 1, 1971, Vilém Flusser Archive (Cor_64_Instituto Brasileiro de Filosofia – 3 – M64: 44).
    • Lionel Ruby, January 14, 1963, Vilém Flusser Archive (Corresp. 56, Document 50).
    • Milton Vargas, November 4, 1972, Vilém Flusser Archive (Cor_1_6_MV-3117_Milton Vargas 1 1966–1977, document 1 of 2).
    • Milton Vargas, July 20, 1975, Vilém Flusser Archive (Corresp. 2, Document 124).
    • Lewis Weiner, May 6, 1987, Vilém Flusser Archive (Cor_133_Weiner: 16).
    • Thyllis M. Williams, March 3, 1973, Vilém Flusser Archive (Cor_57_6_English – 5 – W – M57: 97).
    • Dr. H. Wyss, August 13, 1958, Vilém Flusser Archive (Corresp. 129, Dokument 48).
    • Dr. H. Wyss, August 28, 1958, Vilém Flusser Archive (Corresp. 129, Dokument 55).
  • “Crisis of Linearity,” in: Boot Print, vol. 1, no. 1, March 2007, pp. 19–21.
  • “Da Dúvida,” in: ITA Humanidades: Revista do Departamento de Humanidades, Instituto Tecnológico de Aeronáutica, Centro Técnico de Aeronáutica, São José dos Campos, vol. 1, 1965, pp. 7–20.
  • “Da Ficção,” in: O Diário, Ribeirão Preto, August 26, 1966.
  • “Da Gula,” in: Estado de São Paulo, Suplemento Literário, December 7, 1963, p. 3.
  • “Da Língua Portuguesa,” in: Revista Brasileira de Filosofia: Órgão Oficial do Instituto Brasileiro de Filosofia, vol. 10, no. 40, October–December 1960, pp. 560–566.
  • Da Religiosidade: A Literatura e o Senso de Realidade, Conselho Estadual de Cultura, Comissão de Literatura, São Paulo, 1967; Escrituras, São Paulo, 2002.
  • “Das Gedächtnis,” in: Peter Weibel and Gottfried Hattinger (eds.), Ars Electronica 1988. Kunst der Szene, exhib. cat., Linz, 1988, pp. 86–87.
  • “Das Foto als nachindustrielles Objekt. Zum ontologischen Status von Fotografien,” in: Gottfried Jäger (ed.), Fotografie denken. Über Vilém Flusser’s Philosophie der Medienmoderne, Kerber, Bielefeld, 2001, pp. 15–26.
  • Das Märchen von der Wahrheit, n.d., fable manuscript, Vilém Flusser Archive (2377).
  • “Das Märchen von der Wahrheit,” in: Angenommen – Netzwerk der Freunde Vilém Flussers (ed.), Newsletter, no. 2, 1992, p. 4.
  • “Das Verschwinden der Ferne,” in: ARCH+. Zeitschrift für Architektur und Städtebau, no. 111, March 1992, pp. 31–33.
  • “Das Verschwinden der Ferne. Allgemeine Bemerkungen zur Idee der Ausstellung,” concept paper for the preparation of the exhibition (October 2, 1990 – January 13, 1991), Vilém Flusser Archive (Cor_114_GERMAN).
  • Das zwanzigste Jahrhundert, 1957, book manuscript, Vilém Flusser Archive (1423).
  • Der Sisyphos des Camus oder die Ablehnung des Selbstmordes, n.d., essay manuscript, Vilém Flusser Archive (2381).
  • “Diacronia e Diafaneidade I,” in: O Estado de São Paulo, Suplemento Literário, no. 622, April 26, 1969, p. 4.
  • “Diacronia e Diafaneidade II,” in: O Estado de São Paulo, Suplemento Literário, no. 623, May 3, 1969, p. 4.
  • “Die 18. S. Paulo Kunstbiennale,” in: Spuren. Zeitschrift für Kunst und Gesellschaft, no. 14, January/February 1986, pp. 43–45.
  • “Die Auswanderung der Zahlen aus dem alphanumerischen Code,” in: Dirk Matejovski and Friedrich Kittler (eds.), Literatur im Informationszeitalter, Campus, Frankfurt am Main, New York, 1996, pp. 9–14.
  • Die Geschichte des Teufels, European Photography, Göttingen, 1993; 2nd edition 1996.
  • Die Informationsgesellschaft. Phantom oder Realität?, audio CD with booklet, Supposé, Cologne, 1996.
  • “Die Krise der Linearität,” lecture at the Museum of Fine Arts Bern, March 20, 1988; published in: Wilhelm Mundt, Engagement und Vision, VHS, Immatrix Publications, Göttingen, 1988, 18:19 min, 01:17–13:50.
  • “Die lauernde schwarze Kamera-Kiste,” in: Vipecker Raiphan. Revue für Medien-Transformation, vol. 3 1⁄2, 1983, pp. 96–99.
  • Die Revolution der Bilder. Der Flusser-Reader zu Kommunikation, Medien und Design, Bollmann, Mannheim, 1995.
  • Die Schrift, digital version on two floppy discs, Immatrix Publications, Göttingen, 1987.
  • Die Schrift. Hat Schreiben Zukunft?, Immatrix Publications, Göttingen, 1987; 2nd edition 1989; 3rd edition 1991; Fischer, Frankfurt am Main, 1992, 4th edition; European Photography, Göttingen, 2002, 5th, revised edition (Edition Flusser vol. 5).
  • “Die Stadt als Wellental in der Bilderflut,” in: Nils Röller and Silvia Wagnermaier (eds.), absolute Vilém Flusser, orange-press, Freiburg, 2007, pp. 182–187.
  • “Die technische Imagination,” in: Kunsthochschule für Medien Köln (ed.), Lab. Jahrbuch 1999 für Künste und Apparate, Verlag der Buchhandlung Walther König, Cologne, 1999, pp. 343–348.
  • “Digital Apparition,” in: Timothy Druckrey (ed.), Electronic Culture: Technology and Visual Presentation, Aperture, New York, 1996, pp. 242–245.
  • “Digitaler Schein,” in: Florian Rötzer (ed.), Digitaler Schein. Ästhetik der elektronischen Medien, Suhrkamp, Frankfurt am Main, 1991, pp. 147–159.
  • Dinge und Undinge. Phänomenologische Skizzen, Hanser, Munich, 1993.
  • “Do Diabo,” in: O Estado de São Paulo, Suplemento Literário, no. 316, February 2, 1963, p. 4.
  • Do Espelho, 1966, essay manuscript, Vilém Flusser Archive (2335).
  • “Do Espelho,” in: O Estado de São Paulo, Suplemento Litérario, no. 489, August 6, 1966, p. 4.
  • Does Writing Have a Future?, University of Minnesota Press, Minneapolis, MN, London, 2011.
  • Do Inobjeto, n.d., Vilém Flusser Archive (2430).
  • “Do Programa,” in: O Diário, May 12, 1966.
  • “Do Tempo e de como Ele Acabará,” in: O Estado de São Paulo, Suplemento Litérario, no. 275, March 31, 1962, p. 6.
  • “Eine neue Einbildungskraft,” in: Volker Bohn (ed.), Bildlichkeit. Internationale Beiträge zur Poetik, Suhrkamp, Frankfurt am Main, 1990, pp. 115–126.
  • “Em Busca de Significado,” in: P. Stanislavs Ladusãns S. J. (ed.), Rumos da Filosofia Atual no Brasil: Em Auto-Retratos, Edições Loyola, São Paulo, 1976, pp. 492–506.
  • Ende der Geschichte, Ende der Stadt?, Picus, Vienna, 1992.
  • Ensaio sobre a Fotografia: Para uma Filosofia da Técnica, Relógio D’Água, Lisbon, 1998.
  • “Ensino,” in: Folha de São Paulo, column “Posto Zero,” February 19, 1972.
  • “Ensino Superior,” in: Folha de São Paulo, column “Posto Zero,” February 22, 1972.
  • “Es ist gegenwärtig unwürdig frei zu sein,” 1988, interview by Thomas Knöfel, Linz, shortened transcript, Vilém Flusser Archive (NCAT13_INT_SEM REF_2013-05-15 (36)).
  • “Esperando por Kafka,” in: Comentário, April/June 1963, pp. 179–185.
  • “Exil und Kreativität,” in: Spuren. Zeitschrift für Kunst und Gesellschaft, no. 9, December/January 1984/1985, pp. 5–9.
  • “Fahrender Skolast,” December 1987, lecture manuscript, symposium on study exchange, Naples, Vilém Flusser Archive (2359).
  • “Fassaden, Masken, Personen,” 1991, lecture manuscript, Vilém Flusser Archive (M24-IBK-01_809).
  • “Fassaden: Masken, Personen,” in: Fritz Haller (ed.), 2. Symposium Intelligent Building, Karlsruhe, 1991.
  • Fenomenologia do Brasileiro: Em Busca de um Novo Homem, edited by Gustavo Bernardo, EdUERJ, Rio de Janeiro, 1998.
  • “Fernsehbild und politische Sphäre im Lichte der rumänischen Revolution,” in: Keiko Sei (ed.), Von der Bürokratie zur Telekratie. Rumänien im Fernsehen. Ein Symposium aus Budapest, Merve, Berlin, 1990, pp. 103–114.
  • Ficções Filosóficas, EDUSP, São Paulo, 1998.
  • Filosofia da Caixa Preta: Ensaios para uma Futura Filosofia da Fotografia, Hucitec, São Paulo, 1985; Relume Dumará, Rio de Janeiro, 2002.
  • “Filosofia da Línguagem,” in: “Filosofia da Línguagem,” in: ITA Humanidades: Revista do Departamento de Humanidades, Instituto Tecnológico de Aeronáutica, CentroTécnico de Aeronáutica, São José dos Campos, vol. 2, 1966, pp. 133–210.
  • “Für eine Feldtheorie der Übersetzung (aus Brasilien gesehen),” in: Sprache im technischen Zeitalter, no. 24, 1967, pp. 347–354.
  • Für eine Phänomenologie des Fernsehens, n.d., manuscript, Vilém Flusser Archive (2661).
  • Für eine Philosophie der Fotografie, European Photography, Göttingen, 1983; 2nd edition 1985; 3rd edition 1988; 4th, revised edition 1989; 5th edition 1991; 6th edition 1992; 7th edition 1994; 8th, revised edition 1997; 9th edition 1999; 10th edition 2006; 11th edition 2011.
  • “Für eine Schule der Zukunft. Ein Diskussionsbeitrag zur Stellung der Schule,” in: Neue Zürcher Zeitung, no. 269, November 18, 1982, p. 77.
  • “Gedächtnisse,” in: Philosophien der neuen Technologie, Ars Electronica (ed.), Merve, Berlin, 1989, pp. 41–55.
  • “Gesellschaftsspiele,” in: KUNSTFORUM International, vol. 116, November/December 1991, pp. 66–69.
  • “Gesellschaftsspiele,” in: Georg Hartwagner, Stefan Iglhaut, and Florian Rötzer (eds.), Künstliche Spiele, Boer, Munich, 1993, pp. 111–117.
  • “Gespräch, Gerede, Kitsch. Zum Problem des unvollkommenen Informationskonsums,” in: Harry Pross (ed.), Kitsch. Soziale und politische Aspekte einer Geschmacksfrage, List, München, 1985, pp. 47–62.
  • “Gespräch mit Florian Rötzer. München 1991,” in: Nils Röller and Silvia Wagnermaier (eds.), absolute Vilém Flusser, orange-press, Freiburg, 2003, pp. 7–22.
  • Gesten auf Videobändern, n.d., essay manuscript, Vilém Flusser Archive (2385).
  • Gesten. Versuch einer Phänomenologie, Bollmann, Bensheim, Düsseldorf, 1991; 2nd, revised and extended edition 1993; Fischer, Frankfurt am Main, 1994.
  • Gestures, transl. by Nancy Ann Roth, University of Minnesota Press, Minneapolis, MN, London, 2014.
  • “Guimarães Rosa: Das Große Hinterland des Geistes,” in: Merkur. Deutsche Zeitschrift für europäisches Denken, vol. 19, no. 204, issue 3, March 1965, pp. 294–297.
  • “Haut,” in: Flusser Studies, no. 2, 2006, pp. 1–11.
  • Heimat und Heimatlosigkeit, audio CD and booklet, edited by Klaus Sander, supposé, Cologne, 1999.
  • Hochschulen, n.d., essay manuscript, Vilém Flusser Archive (2359).
  • Hoerapparate, n.d., essay manuscript, Vilém Flusser Archive (2444).
  • “Ich habe keine Lösungen. Der Prager Philosoph Vilém Flusser überTeleorgasmus und Telematik, Telepräsenz und Television,” in: profil, no. 13, March 25, 1991, pp. 96–98.
  • “Ikonoklastie”, in: Michael Hanke and Steffi Winkler (eds.), Vom Begriff zum Bild. Medienkultur nach Vilém Flusser, Tectum, Marburg, 2013, pp. 19–28.
  • Imagination, n.d., essay manuscript, Vilém Flusser Archive (2747).
  • Ins Universum der technischen Bilder , European Photography, Göttingen, 1985; 2nd edition 1989; 3rd edition 1990; 4th, revised edition 1992; 5th edition 1996; 6th edition 1999.
  • “Indagações sôbre a Origem da Língua,” in: O Estado de São Paulo, Suplemento Literário, no. 525, April 29, 1967, p. 1.
  • Interviews by:
    • Christian M. Doermer, 1990, in: Nachlese mit Vilém und Edith Flusser, DVD, produced by Christian M. Doermer, Cine Dokument Film, Atrium, Munich, 2004.
    • Angelika Stepken, broadcasted on SFB, August 21, 1989, transcript available at the Vilém Flusser Archive; excerpts of this interview were published in: Zwiegespräche. Interviews 1967–1991, edited by Klaus Sander, European Photography, Göttingen, 1996.
    • Patrik Tschudin, September 30, 1991, Radio DRS, broadcasted on December 13, 1991, transcription available online at: http://patrik.tschud.in/wp-content/uploads/2012/03flusser-interview-1991.pdf; the whole interview was published in: Von der Freiheit des Migranten. Einsprüche gegen den Nationalismus, compiled by Stefan Bollmann, Bollmann, Bensheim, 1994, pp. 119–140.
  • Into the Universe of Technical Images, transl. by Nancy Ann Roth, University of Minnesota Press, Minneapolis, MN, London, 2011.
  • Jazyk a skutečnost, transl. of Língua e Realidade by Karel Palik, Triáda, Prague, 2005.
  • Jude sein. Essays, Briefe Fiktionen, edited by Stefan Bollmann and Edith Flusser, Bollmann, Mannheim, 1995; Philo, Berlin, Vienna, 2000.
  • “Kein Argument für die Würmer. Wieland Bauder im Gespräch mit Vilém Flusser,” in: Heaven Sent, no. 1, June 1991, pp. 8–10.
  • Kommunikologie, edited by Stefan Bollmann and Edith Flusser, Bollmann, Mannheim, 1996; Fischer, Frankfurt am Main, 1998; 2nd edition, 2000; 3rd edition 2003; 4th edition 2007.
  • Kommunikologie weiter denken. Die Bochumer Vorlesungen, edited by Silvia Wagnermaier and Siegfried Zielinski, Fischer, Frankfurt am Main, 2009.
  • Krise der Linearität, Benteli, Bern, 1988.
  • Kunstausstellungen, n.d., essay manuscript, Vilém Flusser Archive (2769).
  • La force du quotidien, Maison Mame, Paris, 1973.
  • “L’art sociologique et la vidéo à travers la démarche de Fred Forest,” in: Art Sociologique. Dossier Fred Forest, Union Générale d’Éditions, Paris, 1977, pp. 357–431.
  • “L’art sociologique: Fred Forest,” in: Art Sociologique. Dossier Fred Forest, Union Générale d’Éditions, Paris, 1977, p. 411.
  • Le monde codifié, Institut de l’Environnement, Paris, 1974.
  • “Limites Borrados,” in: O Estado de São Paulo, Suplemento Literário, vol. 398, September 19, 1964, p. 1.
  • Les gestes, edited by Marc Partouche and Sandra Parvu, collection Cahiers du midi, vol. VI, Editions Al-Dante, Marseille, 2014.
  • “Line and Surface,” in: Main Currents in Modern Thought, vol. 29, no. 3, January/February 1973, pp. 100–106.
  • Língua e Realidade, Herder, São Paulo, 1963; edition Biblioteca Flusseriana, Annablume, São Paulo, 2004, 2010.
  • Lob der Oberflächlichkeit. Für eine Phänomenologie der Medien, edited by Stefan Bollmann and Edith Flusser in collaboration with Klaus Sander, Bollmann, Bensheim, Düsseldorf, 1993; 2nd edition 1995.
  • Medienkultur, edited by Stefan Bollmann, Fischer, Frankfurt am Main, 1997; 2nd edition 1998; 3rd edition 2001; 4th edition 2005; 5th edition 2008.
  • Melodie der Sprachen, n.d., essay manuscript, Vilém Flusser Archive (2462).
  • “Memória”, 1988, translation for Milton Vargas, Ars Electronica, Linz, Austria, September 13–18, 1988, Vilém Flusser Archive (2683).
  • Menschwerdung, 1994, incomplete book project; only fragmentarily published in: Vom Subjekt zum Projekt. Menschwerdung, edited by Stefan Bollmann and Edith Flusser in collaboration with Klaus Sander, Bollmann, Bensheim, Düsseldorf, 1994; Fischer, Frankfurt am Main, 1998.
  • “Mittel und Meere,” in: Spuren. Zeitschrift für Kunst und Gesellschaft, no. 16, July/August 1986, pp. 12–16.
  • “Mittel und Meere [Means and Seas]. A Lecture,” in: Siegfried Zielinski and Eckhard Fürlus with Daniel Irrgang (eds.), Variantology 5: Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies, Verlag der Buchhandlung Walther König, Cologne, 2011, pp. 245–253.
  • “Mulheres,” in: Folha de São Paulo, column “Posto Zero,” February 18, 1972.
  • “Mundo-Palco,” in: As Coisas que me Cercam v. 2, n.d., book manuscript, Vilém Flusser Archive (O MUNDO-PALCO).
  • Mutations in Human Relations, n.d., published as Kommunikologie, Bollmann, Mannheim, 1996.
  • Nachgeschichte. Eine korrigierte Geschichtsschreibung, Bollmann, Bensheim, Düsseldorf, 1993; Fischer, Frankfurt am Main, 1997.
  • Nachgeschichten. Essays, Vorträge, Glossen, compiled and edited by Volker Rapsch, Bollmann, Düsseldorf, 1990.
  • “Nächstenliebe,” in: KUNSTFORUM International, vol. 112, March/April 1991, pp. 80–83.
  • “Na Musica Moderna,” 1965, manuscript for the lecture series Influencia do Pensamento Existencial sobre a Atualidade, Instituto Brasileiro de Filosofia, São Paulo, Vilém Flusser Archive (1663).
  • “Na Musica,” 1965, manuscript for the lecture series Influencia do Pensamento Existencial sobre a Atualidade, Instituto Brasileiro de Filosofia, São Paulo, Vilém Flusser Archive (1662).
  • Natural:mente: Vários Acessos ao Significado da Natureza, Duas Cidades, São Paulo, 1979.
  • Natural:Mind, transl. by Rodrigo Maltez Novaes, Univocal Publishing, Minneapolis, MN, 2013.
  • “Návrat domů,” in: Revue PROSTOR, no. 16, June 1991, pp. 167–168.
  • “Nomaden,” in: ARCH+. Zeitschrift für Architektur und Städtebau, no. 111, March 1992, pp. 70–78.
  • “O Espírito do Tempo nas Artes Plásticas,” in: Revista Brasileira de Filosofia: Órgão Oficial do Instituto Brasileiro de Filosofia, vol. 20, no. 80, October–December 1970, pp. 487–495; lecture at the Museu de Arte Moderna in São Paulo, December 11, 1970; published again in: O Estado de São Paulo, Suplemento Literário, January 3, 1971, p. 4.
  • O Mundo Codificado: Por uma Filosofia do Design e da Comunicação, Cosac Naify, São Paulo, 2007, 2012.
  • On Being Subject to Objects, n.d., essay manuscript, Vilém Flusser Archive (2761).
  • On Doubt, transl. by Rodrigo Maltez Novaes, Univocal Publishing, Minneapolis, MN, 2014.
  • “On Edmund Husserl,” in: Review of the Society for the History of Czechoslovak Jews, vol. 1, 1987, pp. 91–100.
  • “On Memory (Electronic or Otherwise),” in: Leonardo: Journal of the International Society for the Arts, Sciences and Technology, vol. 23, no. 4, 1990, pp. 397–399.
  • “On Religion, Memory and Synthetic Image,” interview by László Beke and Miklós Peternák, Budapest, April 7, 1990, in: “We Shall Survive in the Memory of Others” Vilém Flusser, DVD and booklet, C3 Center for Culture & Communication Foundation, Budapest, in collaboration with the Vilém Flusser Archive, Berlin, Verlag der Buchhandlung Walther König, Cologne, 2010.
  • “On Technical Images, Chance, Consciousness and the Individual,” interview by Miklós Peternák, Munich, October 17, 1991, in: “We Shall Survive in the Memory of Others” Vilém Flusser, DVD and booklet, C3 Center for Culture & Communication Foundation, Budapest, in collaboration with the Vilém Flusser Archive, Berlin, Verlag der Buchhandlung Walther König, Cologne, 2010.
  • “On the Role of Art in the Present Situation,” 1972, lecture manuscript for a roundtable discussion on “Art and Communications,” Institut de l’Environnement, Paris, December 1972, Vilém Flusser Archive (2769).
  • O Universo das Imagens Técnicas: Elogio da Superficialidade, Annablume, São Paulo, 2008; edition Biblioteca Flusseriana, Annablume, São Paulo, 2010.
  • “Paradigmenwechsel,” in: Andreas Steffens (ed.), Nach der Postmoderne. Ein Zeitmitschrift-Buch mit philosophischen Texten zur Gegenwart, Bollmann, Düsseldorf, Bensheim, 1992, pp. 31–42.
  • “Para uma Escola do Futuro,” in: Inter-Facies: Escritos e Documentos, no. 103, 1983.
  • “Para uma Teoria da Tradução,” in: Revista Brasileira de Filosofia: Órgão Oficial do Instituto Brasileiro de Filosofia, vol. 19, no. 73, January–March 1969, pp. 16–22.
  • Per una filosofia della fotografia, Agorà, Turin, 1987.
  • “Pilpul,” in: KultuRRevolution. Zeitschrift für angewandte Diskurstheorie, no. 23, June 1990, pp. 43–45.
  • “‘Pilpul’. Judeus Assimilados. Assimilados?,” in: Shalom: A Favor do Entendimento, Contra o Preconceito, March 1982, pp. 32–33.
  • Pós-História: Vinte Instantâneos e um Modo de Usar, Duas Cidades, São Paulo, 1983; Annablume, São Paulo, 2011.
  • Post-History, Univocal Publishing, Minneapolis, MN, 2013.
  • “Private und öffentliche Räume,” lecture manuscript, Institut Européen d’Ecologie, Metz, May 3, 1979, Vilém Flusser Archive (3198); published in: Hermann Haarmann, Michael Hanke, and Steffi Winkler (eds.), Play it again, Vilém! Medien und Spiel im Anschluß an Vilém Flusser,Tectum, Marburg, 2015, pp. 297–313.
  • “Proposal for the Organization of Future São Paulo Biennials on a Communicological Basis,” 1981, Vilém Flusser Archive (2184).
  • “Proposal to be Submitted to the General Conference of AICA, to be Held in Paris on September 12th, Concerning the 12th S. Paulo Bienal,” 1971, Vilém Flusser Archive (SP BIENAL 2_171-175).
  • “Proposta Inicial para a Organização das Futuras Bienais em Bases Científicas,” 1972, Vilém Flusser Archive (2183).
  • “Räume,” in: Heidemarie Seblatnig (ed.), außen räume innen räume. Der Wandel des Raumbegriffs im Zeitalter der elektronischen Medien, WUV Universitätsverlag, Vienna, 1991, pp. 75–83.
  • “Räume,” in: Jörg Dünne and Stephan Günzel (eds.), Raumtheorie. Grundlagentexte aus Philosophie und Kulturwissenschaften, Suhrkamp, Frankfurt am Main, 2006, pp. 274–285.
  • “Raum und Zeit aus städtischer Sicht,” in: Martin Wentz (ed.), Stadt-Räume, Campus, Frankfurt am Main, New York, 1991, pp. 19–24.
  • Realidade, Autenticidade, Verdade, n.d., essay manuscript, Vilém Flusser Archive (2913).
  • “Skin,” in: Flusser Studies, no. 2, May 2006, pp. 1–9.
  • Spaces, 1991, manuscript, Vilém Flusser Archive (769); published as English abstract of “Räume,” in: Heidemarie Seblatnig (ed.), außen räume innen räume. Der Wandel des Raumbegriffs im Zeitalter der elektronischen Medien, Universitätsverlag, Vienna, 1991, p. 117.
  • “Sprache, Technik, Kunst. Ein Gespräch mit Hans-Joachim Lenger,” in: Spuren. Zeitschrift für Kunst und Gesellschaft, no. 36, March 1991, pp. 57–62.
  • Standpunkte. Texte zur Fotografie, edited byAndreas Müller-Pohle, European Photography, Göttingen, 1998.
  • Technologie et imaginaire, Institut de l’Environnement, Paris, 1975.
  • “Telematik: Verbündelung oder Vernetzung?,” 1991, lecture manuscript for a conference titled “Wo bleibt die Informationsgesellschaft?,” Gottlieb Duttweiler Institute, November 18–19, 1991, online: www.gdi.ch/de/Think-Tank/Der-bessere-McLuhan-im-GDI; abridged version in: Stefan Bollmann (ed.), Kursbuch Neue Medien. Trends in Wirtschaft und Politik, Wissenschaft und Kultur, Bollmann, Mannheim, 1995, pp. 15–23.
  • “Television Image and Political Space in the Light of the Romanian Revolution,” lecture in Budapest, April 7, 1990, in: “We Shall Survive in the Memory of Others” Vilém Flusser, DVD and booklet, C3 Center for Culture & Communication Foundation, Budapest, in collaboration with the Vilém Flusser Archive, Berlin, Verlag der Buchhandlung Walther König, Cologne, 2010.
  • The Freedom of the Migrant: Objections to Nationalism, transl. by Kenneth Kronenberg, edited by Anke K. Finger, University of Illinois Press, Urbana, IL, 2003.
  • The History of the Devil, Univocal Publishing, Minneapolis, MN, 2014.
  • “The Photograph as Post-Industrial Object: An Essay on the Ontological Standing of Photographs,” in: Leonardo: Journal of the International Society for the Arts, Sciences and Technology, vol. 19, no. 4, 1986, pp. 329–332.
  • The Shape of Things: A Philosophy of Design, transl. by Anthony Mathews, Reaktion Books, London, 1999.
  • Towards a Philosophy of Photography, European Photography, Göttingen, 1984; Reaktion Books, London, 2000.
  • Transformation, n.d., translation of the article “Transformance,” in: Československá Fotografie, essay manuscript, Vilém Flusser Archive (2588).
  • “Two Approaches to the Phenomenon, Television,” in: Douglas Davis and Allison Simmons (eds.), The New Television: A Public/Private Art, The MIT Press, Cambridge, MA, London, 1977, pp. 234–247.
  • Umbruch der menschlichen Beziehungen, n.d., published as: Kommunikologie, Bollmann, Mannheim, 1996.
  • “Um Mundo Fabuloso,” in: O Estado de São Paulo, Suplemento Literário, no. 408, November 28, 1964, p. 1.
  • Vampyroteuthis Infernalis, with Louis Bec, Annablume, São Paulo, 2011.
  • Vampyroteuthis Infernalis, transl. by Rodrigo Maltez Novaes, Atropos, New York, Dresden, 2011.
  • Vampyroteuthis Infernalis: A Treatise with a Report by the Institute Scientifique de Recherche Paranaturaliste, with Louis Bec, transl. by Valentine A. Pakis, University of Minnesota Press, Minneapolis, MN, London, 2012.
  • Vampyroteuthis infernalis. Eine Abhandlung samt Befund des Institut Scientifique de Recherche Paranaturaliste, with Louis Bec, Immatrix Publications, Göttingen, 1987; European Photography, Göttingen, 1993, 2nd edition; 3rd edition 2002.
  • “Verbündelung oder Vernetzung?,” in: Die Neue Gesellschaft – Frankfurter Hefte, no. 1, 1995, pp. 18–22.
  • Versuch, eine phänomenologische Schau des Fernsehns glossenartig zu ballen, n.d., essay manuscript, Vilém Flusser Archive (2661).
  • Video als Spiegel (Anmerkungen für das Gespräch mit Treikschat [u. a.], Baden-Baden 2/2/1987), 1987, manuscript, Vilém Flusser Archive (2489).
  • “Virtuelle Räume – Simultane Welten. Vilém Flusser im Gespräch mit Sabine Kraft und Philipp Oswalt,” in: ARCH+. Zeitschrift für Architektur und Städtebau, no. 111, 1992, pp. 34–52.
  • Vogelflüge. Essays zu Natur und Kultur, Hanser, Munich, 2000.
  • “Vom Autor oder vom Wachsen,” in: Florian Rötzer and Sara Rogenhofer (eds.), Kunst machen? Essays und Gespräche, Boer, Munich, 1990, pp. 57–73.
  • “Vom Repertoire des Denkens,” in: Akten des XIV. Internationalen Kongresses für Philosophie, vol. 3, Logik, Erkenntnis- und Wissenschaftsphilosophie, Sprachphilosophie, Ontologie und Metaphysik, Herder, Vienna, 1969, pp. 456–458.
  • Vom Stand der Dinge. Eine kleine Philosophie des Design, edited by Fabian Wurm, Steidl, Göttingen, 1993.
  • Vom Subjekt zum Projekt. Menschwerdung, edited by Stefan Bollmann and Edith Flusser in collaboration with Klaus Sander, Bollmann, Bensheim, Düsseldorf, 1994; Fischer, Frankfurt am Main, 1998.
  • Vom Zweifel, European Photography, Berlin, 2006.
  • Von der Freiheit des Migranten. Einsprüche gegen den Nationalismus, compiled by Stefan Bollmann, Bollmann, Bensheim, 1994; Philo, Berlin, Vienna, 2000.
  • Von Subjekt zu Projekt [V.1], 1990, lecture manuscript, Vilém Flusser Archive (2654).
  • “We Shall Survive in the Memory of Others” Vilém Flusser, DVD and booklet, C3 Center for Culture & Communication Foundation, Budapest, in collaboration with the Vilém Flusser Archive, Berlin, Verlag der Buchhandlung Walther König, Cologne, 2010.
  • What One Can Wish For, n.d., essay manuscript, Vilém Flusser Archive (2809); published as facsimile in: Daniel Irrgang, Konstantin Daniel Haensch, and Inger Neick (eds.), Forum zur Genealogie des MedienDenkens, vol. 2, 2015, UdK-Verlag, Berlin, pp. 162–181.
  • “Wie philosophiert man in Brasilien? Dargestellt an drei exemplarischen Denkern,” in: Frankfurter Allgemeine Zeitung, no. 2, January 3, 1967, p. 14.
  • “Wonach?,” in: Andreas Steffens (ed.), Nach der Postmoderne. Ein Zeitmitschrift-Buch mit philosophischen Texten zur Gegenwart, Bollmann, Düsseldorf, Bensheim, 1992, pp. 15–30.
  • Writings, edited by Andreas Ströhl, University of Minnesota Press, Minneapolis, MN, London, 2002.
  • “Xadrez,” in: Folha de São Paulo, February 2, 1972.
  • “Zum Abschied von der Literatur,” in: Merkur. Deutsche Zeitschrift für europäisches Denken, vol. 40, nos. 451/452, issue 9/10, September/October 1986, pp. 897–901.
  • Zwiegespräche. Interviews 1967–1991, edited by Klaus Sander, European Photography, Göttingen, 1996.
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bibliography_vilem_flusser.txt · Last modified: 2023/04/12 21:35 (external edit)